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NAME IMAGE TYPE DESCRIPTION YEAR OS VIDEO
DavoSynth v2.54 SYNTH DavoSynth is inspired by Davolisint (a rare Italian keyboard created in 1972). There are two oscillators called VCO1 and VCO2 - but there are no waveform selection, syncing options or envelopes. So, what do we have? One Portamento and fine tune per oscillator and the heart of the synth - four sliders with vibrato effect and 7 different footings available at the same time (32', 16', 8', 4', 2', 1', and 1/2'). There's also a lever called "extend" which is an up-only pitch bend. 2009 WIN
eSLineString v2.55 SYNTH String Ensamble. It's a multi-orchestral machine with violin, viola, trumpet, horn, cello and contrabass. The contrabass and cello selectors can be used to turn on a 16' or 8' monophonic bass, which is triggered by the lowest of the keys one presses. The bass runs from C0 to G1 and stops there. 2009 WIN
Micromoon v2.55 SYNTH It is a monophonic synthesizer, featuring 1 variable waveshape VCO. It has a -24dB per octave low-pass filter with envelope generator, a VCA, noise generator, sample and hold circuit, LFO, and modulation routing. OSC waves - "Narrow-Square / Pulse / Saw-Pulse / Saw". 2009 WIN
Moon Sono SX 2 v2.55 SYNTH The Sono 6 features two VCOs with changeable waveform (sawtooth, triangle, square, pulse), one low-pass VCF, a VCA, two multimode LFOs for modulation. The Sono is a two-oscillator duophonic synth. It can be set for duophonic, (two notes at a time... one oscillator takes high-note priority and one oscillator takes low note priority), monophonic (both oscs), or monophonic with a drone (one osc changes pitch, one does not). The pitch of each oscillator can be controlled by dual LFO, one by contour, and the other by the other oscillator. The Sono Sx also features pink or white noise. The Dual LFO design is unique. A mix control allows mixing of each LFO source, while voltage control of each LFO allows additional rate control not often seen in portable synthesizers. Each LFO can produce saw, reverse saw, triangle, and square wave outputs. The contour generators are a simple design as compared to other synthesizer models. Decay is provided by a switch, offering long or short decay times. 2010 WIN
Ocet v2 RHYTHM MACHINE Analog Drum Synth * 6 sound modules with independent load/save option, and random button * 16 step sequencer, with 16 patterns, load/save option, random function and keyboard midi ctrl * Multioutput * Internal mixer with levels and panoramas (L/R mix output) 2009 WIN
Odsay v2.54 SYNTH The Odsay is a two-oscillator analog synth, and was the one of the first synthesizers with duophonic capabilities (the ability to play two notes at the same time). * Switchable between sawtooth, square, and pulse waveforms with oscillator sync, a ring modulator, and pink or white noise. * Pulse-width can be modulated manually or with the LFO or the ADSR envelope generator. There is a (static) high-pass filter, as well as a voltage controlled low-pass self-oscillating filter. * The filter can be controlled by either of the two envelope generators, an ADSR (attack, decay, sustain, release) and a simple AR (attack, release) and modulated by the LFO, sample-and-hold, the keyboard, or a separate CV (pedal) input on the back panel. * The Sample/Hold input mixer can be used to route the output of the VCOs to the FM input of VCO 2 and the VCF, enabling audio frequency FM. 2009 WIN
Or2v v2.54 SYNTH The Odsay is a two-oscillator analog synth, and was the one of the first synthesizers with duophonic capabilities (the ability to play two notes at the same time). * Switchable between sawtooth, square, and pulse waveforms with oscillator sync, a ring modulator, and pink or white noise. * Pulse-width can be modulated manually or with the LFO or the ADSR envelope generator. There is a (static) high-pass filter, as well as a voltage controlled low-pass self-oscillating filter. * The filter can be controlled by either of the two envelope generators, an ADSR (attack, decay, sustain, release) and a simple AR (attack, release) and modulated by the LFO, sample-and-hold, the keyboard, or a separate CV (pedal) input on the back panel. * The Sample/Hold input mixer can be used to route the output of the VCOs to the FM input of VCO 2 and the VCF, enabling audio frequency FM. 2009 WIN
Rhythmus Machine RHYTHM MACHINE Rhythmus is inspired by an old rhythm machine. There are ten buttons available, each button can play two different rhythm sections so essentially there are about 20 different rhythmic loops offered, such as samba, mambo, tango, waltz, rumba etc. When you click "open", you can change the tune, volume, pan of each rhythm component such as snare, bongo, cowbell, hi-hat, etc. You can mix these rhythmic sections with Tambourine, Guiro, Quijada sounds. 2009 WIN
Sith Month June v2.54 SYNTH Poliphonic analog syntesizer.
* VCO with Sawtooth i Pulse (PWM) waves
* Noise Generator
* LFO: Triangle
* VCF: lowpass - cutoff, emphasis
* A/D/S/R envelope with invert option.
* Arpegiator
* Chorus
* Unison
* Keyboard: no velocity i aftertouch
2009 WIN
Tapeotronic SYNTH Tapeotronic is a very simple mellotron tape keyboard emulation.
* Flute, string, and choirs sounds
* 16 patches * MIDI learn / automation
* knob "bias" tape sfx.
2009 WIN
Virtual Model Mini v1.04 SYNTH Specification:
- Polyphony: Monophonic
- Timbrality: Monotimbral
- Oscillator: 3 VCOs, white/pink noise
- LFO: Oscillator 3 can function as LFO
- Synthesis type: Analog Subtractive
- Filter: 24dB/oct, 4-pole lowpass filter, resonance, ADS envelope generator, key tracking
- Attenuator: ADS envelope generator
- Effects: Frequency modulation using oscillator 3/noise
- External Signal: Feedback mode in VSTI version
2013 WIN
Virtual Model Pro v1.02 SYNTH Monophonic analog synthesizer * 2 VCOs with sawtooth, triangle, and pulse (narrow/square) waveforms * LFO: Square or Triangle; * VCF: 24 dB/oct lowpass w/ cutoff, emphasis * A/D/S envelope; VCA: Attack, Decay, Sustain * Keyboard: 32 keys (no velocity & aftertouch) 2013 WIN
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